Question: I do not have much as far as credentials are concerned other than personal experience driving my story but I do have a large and strong social media presence. How should I go about this? Have I represented that aspect well?
Dear QueryShark,
The universe was music before it was anything tangible.
I love this idea. Whether anyone else will is subjective, but I like it a lot. It's fresh and new (to me at least.) It's not a killer first line, but it does the job: it engages my interest.
Time was measured without signature, and worlds formed from the power of boundless melody, creation in song. Within this crucible of worlds lies Tellure Grand, a land wide, young, and full with possibility. Here, power is being found in the notes of destruction.
oh splat. That first sentence was easy to read and easy to understand.
Now we get time was measured without signature: well, my guess is you mean this:
but unless you have some education in music (versus just listening and enjoying) you may not get the reference.
And I don't know what a boundless melody is. Is it like an Unchained Melody?
The last thing you want is the agent trying to parse out what you mean, and get diverted to YouTube and dive down the Dirty Dancing rabbit hole.
Warsingers.
The world folds where Warsingers make music. Each striking sword and flying arrow is accompanied by the strum of a harp or the lilting of an aria. Minds mold, politics change, and ideologies bend in the wake of such music. Life tuning to the history they create.The land shaping by those who wield the ebb and flow of these powerful sonatas.
this is so abstract I have NO idea what you're talking about.
That means I've started to lose interest.
Now the era turns anew for Tellure Grand and her fledgling civilizations. Strains of glory hum against the strings, where baritones of tribulations rise. A young lordling, a foreign man, a blind girl, and a wild huntress find themselves caught in the orchestrations of a world steered toward discord. For in the distance a bell tolls, a powerful noise that resonates with annihilation, striking with insidious fury. And the gods?
And now I'm skimming.
Gods do not sing; they are the song.
THE WARSINGER OPUS:(Series) A BREAKING OF BELLS is an adult High Fantasy manuscript complete at 325,000 words. It is an epic for those that love The Stormlight Archive by Brandon Sanderson, The Kingkiller Chronicles by Patrick Rothfuss, and The Wheel of Time by Robert Jordan.
You don't need me to tell you that 325,000 words is a total deal breaker.
I grew up telling stories, comfortable with the attention of a room.This is not the selling point you think it is.
That joy only grew as my love for Dungeons & Dragons burgeoned, kindling a deeper appreciation for worldbuilding and immersion. I market myself well and have a loyal following of 152,000 followers on the social media platform Tik Tok where the videos I have made about my book and worldbuilding have garnered hundreds of thousands of views, tens of thousands of likes, and thousands of positive comments. A consistent flow of those followers are transferring to my twitter as well, with 1,250 following on that platform to date. I also boast 950 active Discord participants that enjoy in public readings of chapters bi-weekly.
Well, that's a platform indeed.
And you put the info on how to find you at the end, which is just where it should be.
Because this query is an utter mess (right now) if I'd gotten to this part, I'd go check it out because clearly you're doing something right.
BUT note that I lost interest, and was skimming after the second paragraph.
Don't risk losing an agent's eyeballs.
Get the story on the page.
Thanks you for your time and consideration. I look forward to hearing from you.
Tik Tok: (what you had) here is where you DO need the identifier because this isn't as well known to your audience yet.
This query doesn't work because I don't know what the book is about.
Here's the PW review of one of your comps, the first Brandon Sanderson book:
This massive tome is the first of a 10-part epic fantasy series from relative newcomer Sanderson (Mistborn), best known for his efforts to complete the late Robert Jordan's Wheel of Time series.
In a storm-swept world where history has dwindled into myth, self-serving aristocrats squabble over mystical weapons that render their bearers immune to mundane attacks.
The ambitious scholar Shallan learns unexpected truths about the present, the virtuous aristocrat Dalinar reclaims the lost past, and the bitter and broken slave Kaladin gains unwanted power.
Race-related plot themes may raise some eyebrows, and there's no hope for anything resembling a conclusion in this introductory volume, but Sanderson's fondness for misleading the reader and his talent for feeding out revelations and action scenes at just the right pace will keep epic fantasy fans intrigued and hoping for redemptive future installments.
There's not much sense of the plot here, but at least we have an idea of what's going on.
Here's the PW review of The Name of the Wind by Patrick Rothfuss (2007)
The originality of Rothfuss's outstanding debut fantasy, the first of a trilogy, lies less in its unnamed imaginary world than in its precise execution.
Kvothe ("pronounced nearly the same as 'Quothe' "), the hero and villain of a thousand tales who's presumed dead, lives as the simple proprietor of the Waystone Inn under an assumed name.
Prompted by a biographer called Chronicler who realizes his true identity, Kvothe starts to tell his life story. From his upbringing as an actor in his family's traveling troupe of magicians, jugglers and jesters, the Edema Ruh, to feral child on the streets of the vast port city of Tarbean, then his education at "the University," Kvothe is driven by twin imperatives—his desire to learn the higher magic of naming and his need to discover as much as possible about the Chandrian, the demons of legend who murdered his family.
As absorbing on a second reading as it is on the first, this is the type of assured, rich first novel most writers can only dream of producing. The fantasy world has a new star.
And again, not much plot but a sense of what the story is.
Both of these books are too old and too successful to be good comps NOW. Generally you need comps that are new (within the last three years) and from authors who haven't sold a gazillion copies. That's a tough challenge, I know, and it drives me crazy too.
Bottom line: even in epic fantasy you have to tell me the story.
Saving grace: That kind of platform can rescue a query that's an utter mess, but it's a risk you don't need to take. A query that tells me the story combined with this platform would be very very strong.
Take another crack at this and tell me the story.
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