Dear Query Shark:
Because you start the next paragraph with "this mystery" you want the mystery mentioned in that last sentence.
Faced with this mystery, Avery investigates the college campus where her dad taught
You don't need every detail of why she's there in the query. There's room enough for that in the book.
But the library has more mysteries than Avery expects. Old yearbook photos and day planners hint at secrets that have already ripped her family apart
Leave some of the secrets for the book. You really only need the one about Mom not being Mom, because that leads to the feeling betrayed.
Frightened by this new future, Avery must face the revelation of lies and deception that are destroying everything she thought she knew. If she can figure out why her mother lied and cheated her out of knowing her real father, she might be able to find forgiveness and face her new normal with someone she’s always wanted: a dad. If Avery can’t find the answers, she is left with an uncertain future and an unknowable past.
DARCY TOWERS is my debut upper middle grade contemporary novel, complete at 49,000 words.
Thank you for your time and consideration,
I'm in awe of the VAST improvement this revision has over the preceding efforts. You've done VERY good work here.
With just a bit more polishing, I think you've got a good query.
Your job now is to make absolutely apple-pie sure that your novel reflects all this improvement. There is nothing worse from my perspective than a very good query and initial pages that go splat.
Everything you worked on here should be applied to your novel.
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Revision #6
Dear QueryShark,
Eleven-year-old Avery’s life-long wish has been to meet her Dad
You don't need "that's what she always thought" because your reader can intuit that from "he died before was born."
You don't need "to her shock and surprise" because you don't need to state the obvious.
And the rest of those words come out cause you don't need them. 61 words become 49, but more important the paragraph doesn't clunk.
You've GOT to be able to see clunk when you're revising. Clunk is too many words, stating the obvious, awkward. The ONLY way to get rid of clunk is to revise. Everyone clunks on the first draft. (I know I do.)
But the library has
Yikes! This is getting interesting!
Terrified of this new future, Avery must face the years of lies and deception
Families' and family's are not the same word. This kind of homonym makes me INSANE and the chances of looking past it to see the merit of the novel are very very close to zero.
A good punch line is hardly ever a compound sentence.
DARCY TOWERS, my debut middle grade novel is a contemporary mystery and is complete at 47,500 words. I believe readers of DESTINY REWRITTEN or GENIE WISHES would enjoy this book.
Thank you for your time and consideration.
This is better, but the revisions I'm suggesting here are things you've GOT to get out of your novel too. If I read this query and then found clunky pages it wouldn't take long to get a rejection letter. You want a good query for a good manuscript.
Revise. Pay attention to the rhythm of your sentences. If they sound clunky they ARE!
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Revision #5
Dear Query Shark:
With the recent death of her mom and then being dumped by her aunt onto her much older brother, eleven-year-old Lauren Tatterman’s world is shattered. Her secret wish of having her dad rescue her from 'this life' has grown even stronger. But she knows that could never happen since he died before she was even born. Or at least that’s what Lauren’s always believed.
That first sentence is a real jawbreaker. The first sentence of a query needs to grab an agent's attention and not let go till s/he's finished reading the entire manuscript. This sentence does not do that.
Think short and punchy. That always helps. Start with Lauren too, not a dead mom and an uncaring aunt.
That is until the day she typed his name into the computer at the library and uncovered a clue about his possibly being alive.
This is a grammar grinder sentence. Doesn't it sound awkward to your ear?
I can't over stress how hard it is to write simple declarative sentences. Those sentences are grabbers. Grammar grinders are not.
Consider this: Lauren Tatterman had been told her father was dead. Today, noodling around on her computer, she types his name into a search engine. Suddenly, she's not so sure what to believe. Is her father alive?
Do you see the difference?
If that's your opening paragraph, you bypass all the back story (a good thing) and get to the heart of the matter.
Lauren’s determination to get to the truth about her dad leads her on a zig-zagged journey across the college campus where she’s staying (with her brother) for the summer.
But the library has even more mysteries than Lauren expected. Old yearbook photos and day planners reveal a huge secret that has already been ripping her family apart.
The might in the sentence eliminates the need for "or would it."
DARCY TOWERS, my first middle grade contemporary mystery, is complete at 45,750 words. This is a stand-alone novel with series potential.
While I am a writer at night, I am an academic librarian by day.
My first chapter, per your instructions, are pasted in below. Thank you again for your time and consideration.
I don't get any sense of Lauren here. This all seems very remote from her. I don't get any sense of fun either, and the middle grade books I've read have all had elements of fun. When I think of the books I read in middle school, my favorites were all pretty funny (Homer Price, anyone?)
This query isn't ready yet.
------------------------------
Revision #4
Dear Query Shark,
Dear Query Shark,
And here's where you see that the revision from #3 still
just isn't quite right. You've
used the exact wording I suggested last time. When you looked at it did you
think "aha! That's it!" or did you think "well, that's what she
SAID to say so here it is?"
I'm guessing the latter, because it's still not quite right.
Let's try this:
Eleven year old Lauren Tatterman discovers the dad she's been told died
before she was born might still be alive.
Now THAT is a sentence to entice one to read on, no? But it takes four revisions and paying
attention to the inner voice that says "not quite right" no matter
what anyone else (no matter how sharkly) says.
A secret passageway from the library into the archive vault
leads to her Dad’s ‘off-limits’ papers and dairies. Will she be able to figure
out where he might be hiding or maybe find a message to her about why he left
in the first place?
I hate secret passageways. They are cliché. Does it have to
be secret? Why can't it just be long-neglected, or revealed during renovation
or something that doesn't require too much suspension of disbelief?
Finding him might mean living the dream-castle life she
always imagined he’d want give her. Not this life she has now, with no Mom, a
much older brother and an Aunt who doesn’t seem to want her around anymore. The
documents are unfortunately just that: boring old notes about experiments,
meetings, and endless columns of numbers.
But the library has more secrets than Lauren expected. And
when a social worker and an FBI agent arrive to ask questions and begin making
arrests Lauren must choose between chasing a dream or destroying what little
family she has left.
DARCY TOWERS is a completed, contemporary Middle Grade at
48,500 words.
Thank you for your time and consideration.
I think you might be pretty close to a good query. How's the book? Focused? Starting at
the right place? All the things you've revised in the query should be used for
revising your book too.
Nothing breaks my heart like a terrific query and
not-up-to-snuff pages. Seriously.
Revision # 3
-->
Dear Query Shark,
Eleven year old Lauren Tatterman has always dreamed of meeting her Dad. Unfortunately he died one month before she was even born. When her camp group goes to visit the library on the college campus where she’s staying for the summer she discovers a computer file stating just the opposite: That he is still alive!
Eleven year old Lauren Tatterman has always dreamed of meeting her Dad. Unfortunately he died one month before she was even born. When her camp group goes to visit the library on the college campus where she’s staying for the summer she discovers a computer file stating just the opposite: That he is still alive!
This is much better than the previous iterations. We get right to the point where
Lauren's life changes.
That said, there's some paring down to be done here:
Eleven year old Lauren Tatterman has always dreamed of
meeting her Dad. Unfortunately he died one a month before she was even born. When
her camp group goes to visits the a college campus library on the college campus where she’s
staying for the summer she discovers a computer file stating just the opposite:
That he is still her dad is alive!
Do you see the difference?
With hopes of him being a famous rock star or millionaire, Lauren refuses to believe her older brother’s declarations that the library is wrong.
With hopes of him being a famous rock star or millionaire, Lauren refuses to believe her older brother’s declarations that the library is wrong.
This sentence doesn't really work very well. We go from "he's alive" to
"hey, he might be cool" and then to her brother being a wet
blanket. This is zagging when it
should be zigging. Each sentence should flow in to the next.
Start at the library instead:
It isn’t until she finds the last box, stashed away in “the cage,’ that
she begins to unravel the mystery behind her own family and possibly the
location of her father.
And here's where you go splat: what's at stake? She wants to find her dad..what bad
thing happens if he's really alive? What worse thing happens if he isnt'? What bad thing will happen to her if she discovers the truth? What worse thing will happen if she doesn't?
DARCY TOWERS is a completed, contemporary Middle Grade at 44,500 words.
Without the explanation of why Lauren is on the college campus (which is not in this version) it's better to leave this info out.
Thank you for your time and consideration.
Revise. Resend.
---------------------------
Revision #2
Dear QueryShark:
Eleven year old Lauren Tatterman is stuck living with her much
older brother in a college dorm for the summer. It was a rushed, last minute
plan when her aunt sped off to England without her. And now all Lauren wants is
peace – to cherish the memories of her recently deceased mother. Finding a
secret passageway into the university library offers promises of just that:
some much needed alone time.
The problem here is voice. The words you use to describe what
Lauren wants don't sound like an 11-year-old. "Peace" is what moms
with a passel of loinfruit at their feet want. "Leave me alone" is what a kid might say.
"Cherish the memoirs of her recently deceased
mom"--same problem.
You're not writing this letter in the voice of your
protagonist but the words you use to describe what she's thinking or what she
wants to do have to sound like words a kids would use.
But the solitude of the library at night proves to be just the
opposite with campus rumors of a resident homeless man, an even bigger cover-up
of a library heist and worst of all: secrets about her own family. Risking
discovery by the campus police, or worse yet, “big brother bossy-pants”
himself, Lauren sets out to unravel the mystery behind her own birth. But it
isn’t until she stumbles upon hush-hush online chats and texts between her aunt
and older brother that she realizes what little family she has left might be
gone forever.
You've got too much going on here. What's the first
point in the story where Lauren has to change something or take action or make
a choice? That's the place to focus on.
With the help of a roll of duct tape, a Tupperware of
spaghetti and a mother cow from the campus research labs Lauren finally
realizes what she was looking for all along – and it was what she already had.
You've given away all the tension here. If I know how it ends,
why will I want to read it to find out what happens next?
I do love the idea that duct tape solves a problem. I love duct tape. Did you know it comes in colors?
DARCY TOWERS is a contemporary middle grade completed at
43,300 words. I am an academic librarian working on a university campus and
after reading an agent's tweet once which stated one must write what they know,
I was inspired to write this. After viewing your agency's website and what
you're looking for and following you on Twitter, I'm hoping Lauren and
her kindhearted spirit might fin her way into your heart.
I was all ready to correct fin to find then realized of
course, it was intentional. That's
the kind of subtle writing I love.
Also, don't write what you know. Write what you want to find
out about. Write what you care passionately about. Write what you love or
want to love, or hate, or think everyone should hate along with you
Write what you know would leave us all in the same stagnant
pond forever. You have to write
beyond that. You have to leap into the Ocean of the Unknown and swim with the
Sharks, chum.
And of course, no matter why you wrote this, you leave that
out. I don't care. Opinions vary
on this (Jenny Bent likes to see why people were motivated to write their books
for example) but I don't give a fig.
Thank you for your time and consideration.
You've got the word count under control now, which is good.
Now let's get some voice, and some honing on the plot.
Revise, resend!
------------------------
Revision #1
Dear QueryShark:
Eleven year old Lauren Tatterman just wants to pass through her summer to get to the other side. After the death of her mom and the unexpected departure of her aunt to England, she’s stuck living with her much older brother in a dorm room on a college campus. The discovery of a secret passageway into the library and a secret room on the third floor is just what she needed for some alone time until her aunt returns.
This first paragraph is 79 words-almost 1/3 of the total but all it does is set the scene.
Consider:
Eleven year old Lauren Tatterman is stuck living with her much older brother in a dorm room on a college campus this summer.
But when fancy, old pictures and small booklets begin appearing mysteriously and Lauren realizes they aren’t just a “Heavenly gift” sent from her mom, she begins to investigate. What she discovers is that a large, university library is full of secrets: including a resident homeless man and a massive robbery operation. Things begin to get really serious though when Lauren uncovers photos in the library about her own past that match up with the recent flurry of secretive texts, emails and chats flying back and forth between her brother and her aunt. There is something they don't want her to know!
101 words. And all of them can be condensed to: her brother and her aunt are hiding something from her. Something she's afraid will destroy the small family she has left. Lauren must investigate to find out what no one's telling her before it's too late.
Suddenly her summer of laying low is gone as she sets out to foil the criminals and hunt down the truth about her past. Lauren realizes priceless items might be taken from the library for good and worse yet, what small family she has left might be destroyed.
DARCY TOWERS is a completed contemporary Middle Grade at 37,000 words. After reviewing your agency’s website and what you’re looking for and following you on Twitter I am hoping Lauren Tatterman and her kindhearted spirit might find her way into your heart.
---------
Original query
Dear Query Shark,
We don't need the set up of "most kids" or even "smarty pants" kids. Start with the only one who matters: Lauren.
But when fire alarms, a tiny, injured rabbit and the campus library
And there's a sentence to choke a horse.
But is that really what she wanted? Only a mother cow with a plate glass window in her side who lives in the vet teaching pastures knows for sure.
That's one helluva disturbing image for ME and I'm not in 5th grade. You can have something like that in a book, but you'll need time to prepare the reader for it. I suggest it's NOT a good image for a query where you don't have any prep time at all.
DARCY TOWERS is a completed contemporary Middle Grade at 37,000 words. I am a member of SCWBI and have spent 15 years living "at college" as well, having seen it all, including the cow with the plate glass window in her side. After reviewing your agency's website and what you're looking for and following you on Twitter I am hoping Lauren Tatterman and her kindhearted spirt minght find its way into your heart.
As you know I'm reluctant to close with anything but thank you for your time and consideration but if you must be nice, this is the way to do it.
Sincerely,
Focus on getting your sentences under control and showing us more about Lauren's state of mind.
This is a form rejection. Revise. Resend.
26 comments:
The opening set me up to think that Lauren went to college as an 11 year old because she was smarter than the 18 y/o, 17 y/o, 16 y/ olds that did the same.
But that appears not to be true. She's not really going to college as a student, but the sister of a teacher, right? That's not the same thing and not really striking or unusual. Lot of teachers / older students have children.
"(when it's clear you didn't run spell check on your query, you contribute to global warming because it makes sharks weep hot salty tears)"
It's bad enough to make a mistake in a query, but when it contributes to global warming...
I have a feeling this is a query that gets in the way of telling what the story is about. The writer needs to worry about character, plot, and voice instead of morals and being clever. But an 11-year-old running amok on a college campus could lead to an interesting story.
Yeah, I agree with Lehcarjt. You prepared us for a story about a whiz-kid (though really, plenty of 11-year-olds could handle most first year college classes IMHO) but then it turns out the child is merely living on campus.
Also, does an 11-year-old grieving her mother's death really have a goal of reaching the fifth stage of grief?
I feel like you haven't got the center of your story into the query. But yeah, get your sentences under control first.
I also thought Lauren was going to college for being intelligent. That got me intrigued. I found myself getting a little excited to hear about an eleven-year-old girl trying to navigate through college.
So you might
"But when fire alarms, a tiny, injured rabbit and the campus library theives all collide Lauren realizes she has finally reached her goal of arriving at the fifth stage of the grieving process: acceptance."
This sentence to me is so bizarre. I can almost see what you're getting at, but collide is not quite the right word. And what they have to do with acceptance is totally unclear.
"But is that really what she wanted?" Does that mean does she really want to accept her mother's death? Why wouldn't she want to do that?"
"Only a mother cow with a plate glass window in her side who lives in the vet teaching pastures knows for sure." This sentence has so many clauses that it gets confusing.
I'm still confused about Lauren's CHOICES in the story. What does she want? Why won't she get it? What happens? It sounds like you could have a really interesting story here, but I don't get what it's about yet. Good luck, and keep writing!
Like some other commenters, I was expecting a brilliant kid attending college at 11 years old. But it sounds to me she's not just living there because her brother works there--it sounds like she's going to a summer camp there because her brother works there. Right? "Coyote Kids Camper" is an actual thing (in your fictional world), not just Lauren's joke? I know of plenty of summer camps that take place on college campuses. So, unless she's young (or old) for the camp, the only thing that is interesting to me about her being 11 is that she's just lost her mother and she has a brother old enough to theoretically be her father. And I suspect that's the interesting part of the story anyway--so the college part doesn't need to be such a major aspect of the query.
Lots of food for thought on your response to the query.
I don't get "mid-grade" from this at all. The tone and the word choices seem off, with only the protag's age being on the mark.
I know a query letter is a business letter from an adult to a lamniformes, but it seems like the query itself should have some indications that the writing will be appropriate for the target audience.
What Buffra (above) said! I've found that with both YA and MG, the age of the protagonist is only a part of the equation. Voice counts for a LOT, first in the novel, and then in the query (if the query is a true reflection of the novel, which it should be).
I know Ms. Shark is not the only agent whose interest in a novel will be piqued exponentially by the voice of the query. If you read the Query Shark archives, you will see examples of so-so queries that get a resounding "yes!" because the voice is compelling. And it seems a compelling voice covers a multitude of sins.
"But when fire alarms, a tiny, injured rabbit and the campus library thieves all collide, Lauren realizes she has finally reached her goal..."
The problem I always have with lists in queries is that I have no context. Consider if I wrote a similar sentence with different nouns and characters:
"But when an old tin can, a sneaky bobcat, and the local gardening club all collide, Bob realizes he has finally reached his goal..."
Does this illustrate what I mean? Maybe I've got a story in there somewhere, but you don't know if these items are all from the same incident or a bunch of different incidents over the course of the book. You have no idea how they play off each other or the protagonist. So they might have meaning to me, but they're meaningless to you.
Remember, we know nothing about your novel other than what you tell us. And lists without context tell us very little.
I'm not sure the contemperary 11 year old uses "bossy pants" or "smarty pants." That sounds like something a much younger kid would say(or a grandmother). I've tried to come up with a replacement but the best I can think of is "Know it all."
Contemporary Middle Grade has this glass-sided cow that "knows" what Lauren wants? So it's sci-fi and fantasy as well? Yes? No?
I suppose Lauren is the unreliable narrator behind the query, and that is why you've included statements that we realize are not quite true. She is not going to college, she is attending a camp at the college. Maybe there is a real live cow with plate glass in its stomach (though I think PETA and the SPCA would be onto that college big time) but I suspect it's a billboard or some such. Maybe Lauren is precocious and has read all about the five stages of acceptance but, being only eleven, I doubt she really understands what she thinks she understands.
I think your story might actually be quite good (I love Flavia de Luce) but that's not coming through in the query because the unreliable statements don't promote confidence in the quality of your writing. It's as if you said "Here are several statements that don't make sense - want to read an entire book full of them?"
11 year old genius girl is deprived of friends her age and finds herself emotionally ill-equipped for the grown-up world. What you need is situations that bring out this conflict.
i may be off, but isn't it the SCBWI, not SCWBI?
Society for Children's Book Writers and Illustrators, right?
@Adele- cattle with openings in their guts to be able to observe the function of their stomachs is a common occurance at colleges that keep livestock for Animal Science Majors.
Yes, just about every ag or large animal vet school will have some fistulated cows--however, they don't actually have plate glass (or any kind of glass) covering the fistula.
Wow -- it's disturbing to think that my bad queries may have contributed to global warming.
The query's better and I actually liked the second paragraph better than QS did, but in the third paragraph, OUCH:
Suddenly her summer of laying low is gone
Writer, drop everything and study the difference between "lie" (v.i.) and "lay" (v.t.) and engrave that difference on your heart forever.
Then go on.
I definitely have a better idea of what the story is about and what's at stake, but I agree with Query Shark that it's still too wordy. If you pare down, there will be room for more detail.
The querier had me at the duct tape and tupperware.
I like this query beginning much better. And QS got to the essentials. But it is hard to figure out what's at stake. Did the mom think he was dead? Did he fake his own death? Does the girl knowing he's alive put her in any danger? Of course she would want to know if her dad were alive, but what's life changing for her? How is she growing in this quest?
FYI: I see it says "dairies" instead of "diaries" in the new query.
I wonder - can we take the hook sentence and turn it around so that the surprise is right up front? Something like, "Lauren's dad is alive - but he died when she was just an infant." Actually, that (what I just wrote) is a terrible sentence, but hopefully you get my point. Otherwise, combining the first two - she dreamed of meeting her dad, who she thought... - might improve the flow.
I totally agree about the second paragraph; I'm just getting into the story idea when this second bit comes along and knocks me somewhere else.
Just my two cents - but then, if querying were my strong point, I wouldn't be on this site so stinking much! :)
Julie
From the newest version:
"Lauren must choose between chasing a dream or destroying what little family she has left."
Shouldn't the choice be between pursuing her dream and SAVING what little family she has left?
Usually the final dilemma isn't choose between "do what you really want to do" or "do something horrible," since that's a pretty obvious choice.
Another way of phrasing it might be:
"Lauren must choose whether or not to chase her dream, even if it means destroying what little family she has left."
(I'm assuming 'chase a dream' is meant to be a good thing, i.e. "follow your dreams" etc etc. If 'chasing a dream' is meant to be a bad thing I would rephrase that to be clearer.)
I think it's tighter. I'm going to focus on some mistakes.
Please fix dairies and change to diaries. Mom and Aunt should be lowercase unless you are speaking to them and referring to them directly. The way you used them, they should be lowercase.
First of all, let me say I admire your persistence to get your query right.
In place of a "secret" passageway, I would put:
A closed off passageway from the library into the archive vault leads to her dad's papers and diaries.
IMHO "off-limits" slows the sentence down.
You then write, you hope these papers will answer two questions: Where's he hiding and why did he leave in the first place? This brings intrigue. But! In the next paragraph you tell us:
The documents are unfortunately just that: boring old notes about experiments, meetings, and endless columns of numbers.
Now if that isn't a let down, I don't know what is! Why mention the papers at all, if they're BORING? Use your 250 words in a query on things that are interesting in your story, not the opposite. Another thing that doesn't do it for me is an FBI agent making arrests. It's too vague. If you said something like:
A social worker and an FBI agent arrive to ask questions and arrest Lauren's brother....
That would spark my interest.
Good luck!
Like the commenter above, I also admire your persistence. But the fact that you keep submitting queries with "dairies" instead of "diaries" shows that you're not quite taking QS's advice to heart. She has also mentioned before that you need to drop backstory and make punchier sentences, but you're still giving backstory with long sentences.
I think if you make a list of QS's main points of what you need to do while you rewrite your query from scratch, you might make the big changes needed to make this query shine. And, like she said, read those sentences aloud, so you can avoid awkward sentences. I wind up doing this method with my entire manuscript!
I want to read this book when she gets it all pretty. It sounds good! :-)
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