Dear Query Shark:
This is all superfluous. Get to the story.
Refusing to accept the ruling, Toni retraces Scott’s last few days, looking for a reason someone would want him dead. When she discovers a spreadsheet on a hidden flash drive, she realizes the list of addresses and columns of numbers may lead her to the answer.
Why? I look at spread sheets/royalty statements every day. What information in that document would provide a motive for murder? (I have several suggestions, all involving reserve against returns, but that's another matter entirely)
After an unknown driver forces Toni’s car off the road and into the river, she decides to let the killer think she’s dead. Deciphering the spreadsheet while keeping out of sight may be next to impossible. But Toni won’t give up until she finds the truth.
There's just nothing here that makes me want to read this. Faceless enemies, unknown problems, and a main character we have know nothing about except she has trust issues with her mother, and her dead fiancee thought she was stubborn.
My thriller, NECESSARY VENGEANCE, runs 77,000 words and is my first novel. I would appreciate the opportunity to send you the complete manuscript.
Thank you for your time and consideration.
This is better, but it's still not compelling. A query letter needs to elicit "I want to read more" and this doesn't.
Who is the antagonist? What are the stakes? Be specific. Find a compelling reason for someone to read this book and use that in your query.
And if you can't, time think the unthinkable: it might not be a problem with your query letter. It might be a problem with the actual book. I've seen that more than once.
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Dear Query Shark:
Two days before his wedding, real estate developer, Scott Chadwick, plunges from the top floor of a hotel under construction in Nashville, Tennessee. Was his death suicide, or murder?
Opening with a guy who is dead on page one focuses our attention on the wrong person.
His fiancĂ©e, real estate agent, Toni Matthews, won’t give up until she finds the answer.
You need to start with Toni: Toni Matthews fiance plunges to his death just two days before the wedding. Was it suicide or murder?
The other problem is that it's not obvious why Toni would investigate. Where are the police? Even in traditional or cozy mysteries with amateur sleuths, there needs to be a reason for their sleuthing.
Others will go to any lengths to ensure the truth stays buried.
Oh yikes. Cliche! And why is anyone worried about Toni? Does she have super detection skills?
After an unknown driver forces Toni’s car off the road and into the river, she decides to play dead. While in hiding, she races to uncover the killers’ identities. If they find her first, she’ll be dead for real.
Races to uncover the killer's identities is a terrible cliche. And what is Toni racing? The clock? The midnight train from Georgia?
My thriller, NECESSARY VENGEANCE, runs 77,000 words. I would appreciate the opportunity to send you the complete manuscript.
There's nothing compelling here. For all I know from this I might be glad Scott is dead and Toni might be next. There's nothing here that gives me a sense that I'd care about anything that happened to them.
Thank you for your time and consideration.
Sincerely,
Form rejection